Past speakers have included Marilyn Butler, Gerard Carruthers, David Chandler, Heather Glen, Paul Muldoon, Philip Shaw, Fiona Stafford and Peter Swaab, to name but a few.
All are very welcome to submit an abstract — we aim to provide a friendly 'workshop' setting in which speakers can try out new papers as well as more finished pieces, and in which lively discussion can flourish.
Held on Thursdays at 5.15pm, Seminar Room A, St Cross (English Faculty) Building.
If you would like to send us an abstract or suggest a speaker, please contact the current convenors Katherine Fender, Sarah Goode and Honor Rieley at: romantic.realignments@gmail.com
28/01/2011
03/11/2010
LAMB AND PRINT CULTURE
CHARLES LAMB SOCIETY DAY CONFERENCE
Swedenborg Hall, 20 Bloomsbury Way, London WC1A 2TH
Saturday 27th November 2010.
10.30-11 Coffee
11-12.30 First Panel: Lamb Abroad
11-12.30 First Panel: Lamb Abroad
‘Writing Empire: Lamb and the East India Company’
Dr. David Higgins, University of Leeds
Dr. David Higgins, University of Leeds
‘Imagination and the Traveller: the Psychogeography of Charles Lamb’s essays for the London Magazine’
Dr. Susan Oliver, University of Essex
12.30-2.30 Lunch at local restaurant (participants to make their own arrangements)
2.30-3.30 Graduate Panel
‘“Too much of the boy-man”: Charles Lamb and the Uses of Childishness’
Peter J. Newbon, University of Cambridge
‘“I forlorn do wander”: Introspective melancholy in Lamb's contributions to Sonnets from Various Authors (S.T. Coleridge, ed, 1796)’
Katy Beavers, University of Greenwich
3.30-4 Tea
4-5.30 Third Panel: Politics and Poetry
‘Lamb's poems for The Champion’
Dr. John Gardner, Anglia Ruskin University
Dr. John Gardner, Anglia Ruskin University
‘From autograph to print: Lamb's Album Verses, with a few others’
Dr. Samantha Matthews, University of Bristol
12/10/2010
30/05/2010
>>No Realignment this week. Get your Romantic Fix at 10am
Kate Barush on 'Blake's Illuminated Manuscripts'
10am Thursday 3 June, English Faculty, LT2
Blake printed his poetry in a unique, striking, and beautiful manner, and the experience of his works as artefacts and artistic productions as well as text is crucial to understanding them. This lecture will introduce and explain the methods through which Blake produced his illuminated books and their importance to his mythopoesis, as well as providing the interpretative tools necessary to discuss and analyse Blake's unique composite art. Blake's artistic background and training will be explained, key works examined, and his oppositional iconography and stylistic devices explored. This will be an engaging and valuable session to those interested in Blake and/or illuminated texts.
10am Thursday 3 June, English Faculty, LT2
Blake printed his poetry in a unique, striking, and beautiful manner, and the experience of his works as artefacts and artistic productions as well as text is crucial to understanding them. This lecture will introduce and explain the methods through which Blake produced his illuminated books and their importance to his mythopoesis, as well as providing the interpretative tools necessary to discuss and analyse Blake's unique composite art. Blake's artistic background and training will be explained, key works examined, and his oppositional iconography and stylistic devices explored. This will be an engaging and valuable session to those interested in Blake and/or illuminated texts.
25/05/2010
>>Week 5: Female Crusoes
Carl Thompson from Nottingham Trent University is coming to give a paper called 'Female Crusoes: Tracing a Minor Literary Motif, and its Feminist and Anti-Feminist Implications, across the 18th and early 19th Centuries'
See you there
See you there
19/05/2010
>>Week 4: Pugin and the Gothic - Rosemary Hill - All Souls, Oxford.
This week Rosemary Hill will give a paper entitled:
"To Stones a Moral Life', Pugin and the Gothic."
This paper will be on Pugin, whose work, Rosemary argues, brought a romantic sensibility, belatedly, to architecture.
All welcome as always.
"To Stones a Moral Life', Pugin and the Gothic."
This paper will be on Pugin, whose work, Rosemary argues, brought a romantic sensibility, belatedly, to architecture.
All welcome as always.
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